Locating bolt holes in replacement saw handles

I finished shaping a replacement handle for an old Disston saw today (there is more to come on this saw), only to face the challenge of drilling the holes for the saw bolts. Rather, as the drilling itself is a trivial matter, I should say the challenge of accurately matching the holes to those already in the blade.

Given the moderate rarity of this saw, enlarging the existing holes in the blade was not an option, so I needed to align the holes in the new handle with them very closely. Since the vast majority of my work is on new saws, this was a new problem, and one which had me staring into space for a few minutes.

After some thought, I came up with a solution which undoubtedly has been used by others, but which I have not yet seen described. Its chief advantage lies in being able to mark the holes while the handle is positioned on the blade. All that is required is a flat surface, a piece of tape, a square.  And a pencil, which, despite a fascinating collection of mechanical pencils and leadholders, is invariably the single most difficult item to find in my shop. (I have seen your shop, and would argue that finding an unoccupied flat surface is the real challenge. -Ed.)

Mark the heel of the blade on the tape, then align the square with the horizontal center of the hole. Mark this location on the tape, then read the vertical location of the center of the hole and write that on the tape.

Mark the heel of the blade on the tape, then align the square with the horizontal center of the hole. Mark this location on the tape, then read the vertical location of the center of the hole and write that on the tape.

Showing the marks and measurements for the centers of the holes.

Showing the marks and measurements for the centers of the holes.

With the handle on the blade, transfer the measurements to the handle. Make sure that the heel of the blade is positioned on its mark, or all of the holes will be off.

With the handle on the blade, transfer the measurements to the handle. Make sure that the heel of the blade is positioned on its mark, or all of the holes will be off.

It doesn't get much better than this.

It doesn’t get much better (or easier) than this.

Posted in Saw repair | 3 Comments

Introducing three new saw models

These have been in the works for some time, and I am happy to finally add them to my website. Those who stopped by my booth at WIA may recognize them, as they were all on display there.

 

Nine inch dovetail saw

This dovetail saw falls on the smaller end of the spectrum, and is perfect for dovetails in wood up to about 3/4″ thick. Its light weight, coupled with a high hang angle, make it a very responsive saw capable of the most precise and delicate work.

The blade is nine inches long, and canted, with 1 1/2″ depth of cut at the heel and 1 5/16″ deep at the toe. In keeping with the lightweight design and look, the spine is also tapered in depth.

Nine inch dovetail saw in quartersawn elm.

Nine inch dovetail saw in quartersawn elm.

Nine inch dovetail saw in quartersawn elm.

Nine inch dovetail saw in quartersawn elm.

Nine inch dovetail saw in quartersawn elm.

Nine inch dovetail saw in quartersawn elm.

Nine inch dovetail saw in quartersawn cherry.

Nine inch dovetail saw in quartersawn cherry.

Nine inch dovetail saw in quartersawn cherry.

Nine inch dovetail saw in quartersawn cherry.

 

 

Twelve inch Smith’s Key carcase saw

This carcase saw traces its roots to 1816, where it is shown in Smith’s Key (a catalog from which retailers could order merchandise). While it is the same length as my Disston carcase saw, the similarities end there. The low hang angle and the heavily canted blade combine to create a saw that has a completely different feel from the Disston carcase saw.

12 inch Smith's Key carcase saw in quartersawn elm.

Twelve inch Smith’s Key carcase saw in quartersawn elm.

12 inch Smith's Key carcase saw in quartersawn elm.

Twelve inch Smith’s Key carcase saw in quartersawn elm.

12 inch Smith's Key carcase saw in quartersawn elm.

Twelve inch Smith’s Key carcase saw in quartersawn elm.

 

Fourteen inch sash saw

This particular saw is a little special, as it is the first time I have used stainless steel in my saws. After I work out some of the bugs in machining it, I will offer it as an option (for both the bolts and the spine) on most or all of my saws. The wood is cherry crotch, and looks even better in real life than in the pictures below.

Fourteen inch sash saw with cherry crotch handle and stainless steel spine and bolts.

Fourteen inch sash saw with cherry crotch handle and stainless steel spine and bolts.

Fourteen inch sash saw with cherry crotch handle and stainless steel spine and bolts.

Fourteen inch sash saw with cherry crotch handle and stainless steel spine and bolts.

Fourteen inch sash saw with cherry crotch handle and stainless steel spine and bolts.

Fourteen inch sash saw with cherry crotch handle and stainless steel spine and bolts.

 

The elm in the first two saws is a little special, as I cut it myself on my parents’ property in Wisconsin. It was a beautiful wood to work with – just the right hardness to work easily, yet hold crisp details, and it took a wonderful finish. With any luck, I will have enough of it in the future to offer as a standard option to customers.

Posted in Announcements, Completed saws - gratuitous pictures | Leave a comment

WIA rundown

I have neglected this blog for some time now, but only for the sake of making a good appearance at the 2013 WIA conference. Despite running out of time to prepare fully for it, the show was a rewarding experience for me.

Saw elf No. 1 and I departed for Kentucky early Thursday morning, and arrived there just in time to move our display into the conference center. While unloading, Roy Underhill, whom my daughter had been dying to meet for the last several months, came over to say hi. My daughter, who has a rather outgoing personality, suddenly became tongue-tied and was unable to introduce herself.

Friday was the first day of the Marketplace, and we managed to stay busy. Megan Fitzpatrick stopped by, and was kind enough to take the saw elf under her wing and show her around. Much to her delight, she had another chance to meet Roy, and this time came away with an autographed wood chip from his log hewing demonstration.

In between the busy periods, and after the show was done for the day, I had the pleasure of meeting quite a few toolmakers, which by itself was worth the cost and time expended to attend.

Saturday was busier than Friday, and we were more than ready to break camp by 6:00, even if it was to jump back into the car for the nine hour drive home. Before we left, we were treated to one last surprise when Roy showed up one last time to skip around the parking lot with the saw elf.

Blackburn Tools booth at 2013 WIA.

Blackburn Tools booth at 2013 WIA.

Blackburn Tools saw display at 2013 WIA.

Blackburn Tools saw display at 2013 WIA.

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Saw build along – saying goodbye…

This is the final entry in a nineteen part series that covers the construction of one of my saws from start to finish. For links to the other entries, please see the full chronological index.  -Ed.

After a final dusting and a quick wipe-down with mineral oil (to fight rust and tarnish), the saw is just about ready to turn loose on the world. If the saw is a new design or uses a new or unusual piece of wood for the handle, I will take a few pictures of it at this point.

The finished saw:  ten inch dovetail with apple handle.

The finished saw: ten inch dovetail with apple handle.

Another view of the finished saw.

Another view of the finished saw.

Another view of the finished saw.

Another view of the finished saw.

Another view of the finished saw.

Another view of the finished saw.

 

Finally, each saw is wrapped in VCI (Volatile Corrosion Inhibitor) paper, a ritual that is tinged with sadness and trepidation. Sadness because I will most likely never see or hold this creation again, and trepidation that the customer will find some fault with the saw that I overlooked.  There is, however, a measure of comfort and pride taken from the thought that my work will live on in the value and service derived from this tool by the next and future owners.

After a final cleaning and wipedown with mineral oil, the saw is wrapped in corrosion-inhibiting paper before being sent out.  It's always a little sad to say goodbye...

After a final cleaning and wipedown with mineral oil, the saw is wrapped in corrosion-inhibiting paper before being sent out. It’s always a little sad to say goodbye…

 

By the way, I always appreciate receiving pictures of my saws in their new homes or in use.  I likewise value any feedback, positive or negative, that my customers can send. At worst, it lets me know whether or not my product met your expectations; better yet, I may learn how to improve them.

Posted in Saw making | 4 Comments

Saw build along – Assembly, Part III

This is the eighteenth entry in a nineteen part series that covers the construction of one of my saws from start to finish. For links to the other entries, please see the full chronological index.  -Ed.

Drilling bolt holes, toothing, final assembly, and test cuts

I drill the holes in the blade with a 3/16″ carbide spade drill bit. They drill quickly and cleanly and last a long time.

I drill the holes in the blade while it is in the handle.  This ensures perfect alignment.

I drill the holes in the blade while it is in the handle. This ensures perfect alignment.

Deburring the drilled hole with a countersink bit.  The carbide spade drill bits don't leave much of a burr, but it's still better to remove it.

Deburring the drilled hole with a countersink bit. The carbide spade drill bits don’t leave much of a burr, but it’s still good to remove it.

 

It is finally time to sharpen the saw. I will not cover this topic in-depth, as it deserves far more attention than I can give it at this time. It will, I am sure, be fodder for future posts and articles. What follows is a quick overview of the steps I go through, but lacking the details and finer points.

After jointing the blade, I cut the teeth. Using a paper template to guide the spacing, each tooth is marked with one stroke of a file. With each tooth marked, I remove the template and finish filing them.

After this first filing, I set the teeth, then joint them. After marking them again with Dykem, I resharpen one last time.

Filing the blade to the correct depth.

Filing the blade to the correct depth.  I use tape on each side of the blade to prevent scratching.  The tape also improves the grip of the jaws.

Checking for straightness.

Checking for straightness.

Jointing the blade.  I use a small piece of aluminum angle to ensure the edge is perpendicular to the sides.

Jointing the blade. I use a small piece of aluminum angle to ensure the edge is perpendicular to the sides.

Marking the edge with Dykem.  This makes it much easier to see when the flats at the tip of each tooth has been removed.

Marking the edge with Dykem. This makes it much easier to see when the flats at the tip of each tooth has been removed.

I use lined paper wrapped around the blade to guide me when filing in the teeth.

I use lined paper wrapped around the blade to guide me when filing in the teeth.

Forming the teeth.  While the paper is on the blade, I use one stroke to mark the tooth, then remove the paper and cut the rest of the tooth.

Forming the teeth. While the paper is on the blade, I use one stroke to mark the tooth, then remove the paper and cut the rest of the tooth.

 

When the teeth are sharpened, I run the back and blade across a deburring wheel to clean them up one last time. This done, I can assemble and test the saw.

Many makers install the split nuts and bolts a hair proud of the surface of the wood, then sand them flush. This is a tried and true method, but I have had trouble in the past with the brass dust staining the surrounding wood. I now sand the fasteners first, then install them as close to flush as possible.

I normally use a fixture on a belt sander to grind the bolts to the correct length, but in preparation for an impending move, it is in storage. For the time being, I do them old-school style, filing by hand.

Measuring the thickness of the handle - 0.903".

Measuring the thickness of the handle – 0.902″.

Filing the bolt to length.

Filing the bolt to length.

Checking the length of the bolt - 0.892".  I like the bolt to be about 0.010" to 0.020" shorter than the thickness of the handle, which will allow for future tightenings.

Checking the length of the bolt – 0.892″. I like the bolt to be about 0.010″ to 0.020″ shorter than the thickness of the handle, which will allow for future tightenings.

Sanding the fasteners on 220 grit sandpaper. The finish from the lathe is pretty good, so this sanding usually takes just a few seconds.

Sanding the fasteners on 220 grit sandpaper. The finish from the lathe is pretty good, so this sanding usually takes just a few seconds.

Bolt and nut with lathe finish (top), and after sanding (bottom)

Bolt and nut with lathe finish (top), and after sanding (bottom)

Cleaning finish and stray wood fibers out of the counterbored holes.

Cleaning excess finish and stray wood fibers out of the counterbored holes.

Installing the split nuts.  I like to align the slots with the grain of the wood; this is for no other reason than appearance. The handle on the split nut driver is perpendicular to the slot, making the correct alignment easy to see.

Installing the split nuts. I like to align the slots with the grain of the wood; this is for no other reason than appearance. The handle on the split nut driver is perpendicular to the slot, making it easy to see how the slot is aligned.

 

After all this work, it is finally time to take the measure of the saw. Every saw I file is tested in wood(s) and tasks similar to those that the future owner will use it on.

The first, and most critical, test is to cut to the full depth of the blade. This reveals any tendency of the saw to drift to one side or the other, and verifies that the set is sufficient to run without excess friction.

A test cut with the new saw.  In these tests, I bury the saw all the way to the back.  I don't mark any line, preferring that the saw track as it wants to and without any unintended influence.

A test cut with the new saw. In these tests, I bury the saw all the way to the back. I don’t mark any line, preferring to let the saw track as it wants to and with no unintended corrections on my part.

Checking the offcut for straightness.  This offcut is slightly convex.  Since this piece was on the right side of the saw, the saw tracks to the right.

Checking the offcut for straightness. This offcut is slightly convex. Since this piece was on the right side of the cut, this saw tracked to the right.

Stoning the right side of the saw blade to correct the drift.  Light and easy is the way to go here.

Stoning the right side of the saw blade to correct the drift. Light and easy is the way to go here.

After stoning to correct the drift, the next offcut is also checked for flatness.

After stoning to correct the drift, the next offcut is also checked for flatness.

 

Only after I am satisfied with how the saw tracks and cuts will the saw be sent out. There is still a chance that it will need some tweaking to fully suit the customer, but at least I know these changes will be needed because of differences in our sawing preferences and styles, and not problems inherent to the saw.

Posted in Saw making | 1 Comment

The lamb’s tongue on my saw back

One of the most frequent questions about my saws is why I use a lamb’s tongue on the end of some backs. While I have tried to come up with a credible story that involves swashbuckling pirates on the Spanish Main, the truth is that it arose from an accident.

My interpretation of a lamb's tongue at the end of a back.

My interpretation of a lamb’s tongue at the end of a back.

 

The first batch of saws I made were all to have backs with traditionally rounded ends. The detail is classic and pleasing, and the first few turned out just as planned. With the confidence bred by past success, I began to trim another of the backs to length. A sixteenth of an inch into the cut, I noticed a line 1/4″ to the side of my cut. With a sinking heart (and a hearty “Arrr, blow me down!”), I paused to identify it as the cut line I had scribed seconds earlier. Now, as any good mechanick knows, an errant cut invariably falls not on the waste side, but on the portion of the stock which is to be used; this was not to prove the exception.*

Loathe to discard an otherwise fine piece of brass in which I had invested good time and hard-won booty, I mulled over my options. The most sensible of these may have been to finish cutting the back short, then trim the saw blade back by the same amount, but that seemed wasteful. A better option was to find a way to conceal the mistake.

Armed with a meager design ability and vocabulary, I quickly settled on my old standby embellishment, the lamb’s tongue. After a few quick sketches, I had a workable design that hid my error. I was happy with the look, and thought that it helped to balance out and soften the many straight lines on that end of the saw.

To my mild surprise, the detail was well received by customers and friends.  With about 75% of the saws I send out featuring that detail, what began as a coverup has turned into a hallmark of my work.

And aye, thar be the true story.

*I could offer up countless stories attesting to the verity of this rule, but offer up the following anecdote which fully illustrates its insidiousness. I once managed to cut a length of crown molding one inch longer than marked, and laughed at this mildly embarrassing error until discovering the original measurement to be two inches too short. This was, of course, the molding meant for the shortest wall in the room, so the piece was a total loss. -Ed.

Posted in Saw design | Leave a comment

Order delays: A little off-topic

As I write this, I am sitting at the side of my son’s hospital bed. While his injury was neither life-threatening nor accompanied by long-term implications, the forced timeout offered time for reflection.

Because I have seen how quickly businesses in a close-knit community (as handtool woodworkers are) can fail or lose their reputations, I make an effort to keep my customers abreast of my workings. There are times when I fail in this, but I am fortunate in having a customer base that is extremely supportive and understanding. While I attempt to keep my family and business lives separate, the reality is that in a one-man show such as this, a disruption in one necessarily impacts the other. When this happens, I feel that a brief notice is warranted. If you have emailed me or placed an order recently, please know that I am running a few days behind on most things. 

With that out of the way, I’d like to write about something which has nothing to do with woodworking. I have seen my son hospitalized twice in his short life. As much as I wish to never set foot in another hospital, interactions with Children’s Hospitals in two different states have left me better for having experienced them. While ours was a happy outcome, not all there are so lucky, and to them I can only say that we are thinking of and praying for you.

Our health care system has deep failings, but the physicians, nurses, and support staff who work with our children have my respect and gratitude. Without exception, they gave their most to ensure the best outcome and a pleasant experience. From the smiles that every passing worker flashed at my son, to the maintenance worker who, without being asked, took the time to guide this very lost father through the tangled corridors, every effort was made to make us feel special and at ease.

When we are used to having our children see us as earthly gods, we feel acutely powerless as we hear their plaintive cries for help and know that we are able to offer nothing but our presence, and must ask others to help them. At times, they sense this helplessness and become our comforters, as when Saw Elf No. 2 opened his eyes to see his distraught mother bent over him. Mustering what energy he could, he pushed back at the pain and morphine long enough to say, in his most matter-of-fact and comforting voice, “It’s ok, Mommy. I’ll be all right.”

Posted in Announcements, Off topic | 2 Comments

I just cant stop myself: yet more discussion of hang

Because I am fully cognizant that these musings betray an obsessiveness that may not be healthy, it is with some trepidation that I post these final thoughts on hang angles. For those who weary of the topic, take comfort in my promise that this is the final post on the subject for the immediate future.

In a previous post, I mentioned in passing that cant has an effect on hang angles. Before examining this effect, let us define cant and enumerate some of its purported benefits. 

A canted saw is one whose toothline is not parallel to its spine. Invariably, the taper is such that the depth of cut is greater at the heel than at the toe. While some old saws have canted blades that are accidental byproducts of careless sharpening or rough handling, there is ample evidence that cant was an intentional feature on many early saws. While I know of no written evidence that shows early makers claimed any advantages for canted blades, modern writers and makers are not so silent. Four of the most commonly cited benefits are these:

  1. By changing the angle at which the teeth attack the fibers of the wood, the saw cuts more smoothly.
  2. By effectively raising the toe of the saw above the heel (at the toothline), the danger of cutting past the marked baseline on the backside of the board is lessened.
  3. By removing some of the plate, the saw is lightened and the center of gravity is shifted towards the handle. This is further enhanced if the back, or spine, of the saw is also tapered (as is common on many canted saws of old).
  4. It just looks cool. And it is nearly a universally accepted principle that, given two tools of identical functional quality, the one that looks better will almost always fare better in supposedly objective tests.

Before going further, let us first define three measurements. The first of these is cant, which we define as the angle formed between the toothline and the top of the spine. On an uncanted saw, this is 0 degrees. We call the second measurement secondary hang, and define it as the angle formed between the top of the spine and a line drawn perpendicular to the back of the handle. The last is primary hang, which we have heretofore simply called hang. In the trivial case of an uncanted saw, the primary and secondary hang angles are identical. The relationship between cant, primary hang, and secondary hang is shown in Figure 1, and is given by the equation:

secondary hang = primary hang – cant

Showing how I measure cant, primary hang, and secondary hang.

Figure 1.  Showing how I measure cant, primary hang, and secondary hang.

 

To illustrate points 1 and 2, consider the uncanted saw in Figure 2, a typical twelve inch carcase saw with a primary hang angle of 33 degrees. The easiest way to add cant is by removing some of the metal at the toe of the blade. If we remove 1/2″, a cant of 2 degrees is introduced, increasing the primary hang angle of the saw to 35 degrees. The secondary hang angle remains unchanged.

Top:  uncanted saw. Bottom:  Canted saw created by removing 1/2" of blade from the toe.

Figure 2.  Top: Uncanted saw.  Bottom: Canted saw created by removing 1/2″ of blade from the toe.

 

Because the spine of a saw is so visually dominant while sawing, the natural inclination is to use it as a reference point when sawing, so it is reasonable to expect that both the canted and uncanted saws are held with their backs horizontal. This being so, the teeth of the canted saw are cutting with the grain rather than directly across it (Figures 3 and 4). While it certainly does not hurt, the benefit is is minor when ripping, and makes virtually no difference when cross-cutting. This covers the first of the reasons enumerated above.

Top:  Uncanted saw cutting a typical tenon cheek. Bottom:  Canted saw cutting a typical tenon cheek.  In both cases, the back is presumed to be horizontal.

Figure 3.  Top: Uncanted saw cutting a typical tenon cheek.  Bottom: Canted saw cutting a typical tenon cheek. In both cases, it is presupposed that the back is horizontal.

Closeup of saws from Figure 3.

Figure 4.  Closeup of saws from Figure 3.

 

Further examination of Figure 4 reveals the rationale behind the second reason. When the saw teeth reach the baseline of the cut in the front of the workpiece, they have not yet reached the baseline on the back (which is not visible whilst sawing), reducing the risk of overshooting your mark. To reiterate an important point, this benefit depends on the premise that the back, or spine, is always horizontal.

In the scenario outlined above, the handle is unchanged in its relation to the spine of the saw (the secondary hang angle). This means that the sawyer’s positioning, stance, and hold on the saw can remain unchanged even while the primary hang angle increases. Since the primary hang angle has increased, the transfer of the applied force to the teeth is (slightly) affected. The effects of this are discussed in great detail in two previous posts: Concerning (primary) hang angles and saw handles and Further discussion of (primary) hang angles.

If canting is accomplished by pushing the toe end of the spine down on the blade (as often happens with folded spines), then the secondary hang angle is decreased, affecting the sawyer’s positioning, stance, and hold on the saw (refer to Concerning (primary) hang angles and saw handles for more detail). The primary hang angle is unchanged, so the transfer of the applied force to the teeth is unaffected.

It goes nearly without saying that cant may be introduced by endless combinations of changes to primary and secondary hang. Exploration of these borders on tedium and would only tax our patience. [Border? I think that line was crossed long ago. -Ed.] I would hope that sufficient knowledge can be gleaned from this and prior posts to enable puzzling out the varied effects.

The third cited reason, the reduction of weight, has the effect of reducing the downward force provided by the weight of the saw itself. This will make the saw feel somewhat less aggressive, as the teeth bite into the wood a little less. However, this is countered by the increased primary hang angle (assuming the first scenario outlined above) that directs more of the applied force downwards. The degree to which the two offset each other depends on the amount of cant and weight difference, and can be more fully explored in the post Further discussion of (primary) hang angles.

In practice, I find the first of these reasons to be practically negligible, the second to have some merit, and the value of the third to be dependent on the preferences of the sawyer. In short, canting has a negligible to minor effect on the mechanics of sawing.

This leaves the fourth reason, the sheer awesomeness of the canted look, which needs no further explanation.

Posted in Saw design | 5 Comments

Saw build along – Assembly, Part II

This is the seventeenth entry in a nineteen part series that covers the construction of one of my saws from start to finish. For links to the other entries, please see the full chronological index.  -Ed.

Straightening the blade

Seldom is a saw plate flat enough to send out without doing some work on it. There are typically three distinct deformations that must be dealt with. If we think of the blade as a board, these defects can be labeled cup, bow, and twist.

Cup is seen as a gap when a straightedge is held alongside the blade, running from teeth to spine.

Bow is seen as a gap when a straightedge is held alongside the blade, running from the heel to the toe.

Twist is checked for by placing the blade on a known flat surface, and is visible as a gap somewhere along the toothline.

I deal with each of these defects individually, and in the order listed above. Trying to correct them all at once, or in a random manner, can be a frustrating experience.

 

Cup:  This defect exists in most blades as a remnant of the steel manufacturing process. To correct cupping, I bend the steel so that the concave side is stretched. It usually takes several repetitions and bending in several places to fully flatten the plate. This is a process that is similar to hammering, or smithing, a saw blade. In both cases the goal is to stretch one side of the plate to make it bend in the opposite direction.

Checking for cup. In this example, the side being checked is concave.

Checking for cup. In this example, the side being checked is concave.

Removing the cup by stretching the concave side (bottom). I use plastic and aluminum to avoid scratching or denting the blade and back.

Removing the cup by stretching the concave (bottom) side. I use plastic and aluminum to avoid scratching or denting the blade and back.

 

Bow:  This defect also exists in most blades as a remnant of the steel manufacturing process. Unlike cupping, most of it is counteracted by the stiffness of the back. However, the back itself often has some bow that must be removed. After checking for bow at the back, it is easily removed by bending the back with my hands, either across a hard corner or my thigh.

I do not check for bow at the toothline, as it cannot be corrected by bending the back in this manner.

Checking for bow. In this example, the side being checked is concave.

Checking for bow. In this example, the side being checked is concave.

Removing the bow from the spine by bending it. I support the blade at the center of the bow (concave side up), then push down on either side until the bow is removed.

Removing the bow from the spine by bending it. I support the blade at the center of the bow (concave side up), then push down on both sides until the bow is removed.

Checking again for bow; this one is good, and ready for the next step.

Checking again for bow; this one is good, and ready to check for twist.

 

Twist:  This defect has three causes:  a twist in the saw blade itself, a twist in the back which is magnified by the height of the saw blade, or the slots for the blade in the back and the handle not being coplanar. Of these three causes, misalignment of the handle and back slots is the most difficult to overcome. If the problem is more than a minor one, it is best to either accept imperfection or begin work on a new handle. There may also be some residual bow left in the blade, but this is usually corrected when the twist is removed.

I check for twist by placing the saw blade on a surface plate and inspecting the toothline for lifting along the edge. With the handle in place (but not bolted on), check for flatness from both sides.

When you have identified a twist in the blade, make note of where it begins and in which direction it twists. The twist typically starts where the blade begins to lift off of the surface plate. We will place the back in a vise (preferably in jaws lined with leather or soft metal, and further protected by a rag), with only the twisted section of the back and blade projecting from the jaws.

In the first picture below, the twist (which I have exaggerated for clarity) appears to increase evenly along the entire length of the blade. I will clamp only the last inch or so of the back (the portion that is in the handle mortise) in the vise, and since the twist appears to be constant, I will twist from the opposite end (near the lamb’s tongue).

Checking the blade for warp. Since the cup has been removed, and the blade is straight at the spine, any lifting of the corners at the teeth is due to twist.

Checking the blade for warp. Since the cup has been removed, and the blade is straight at the spine, any lifting of the corners at the teeth is due to twist.

 

To twist the spine, I use a handscrew tightened onto the back. In this example, the top side of the blade (in the picture above) is on the right (in the picture below). Since the handle end is held in the vise, I will rotate the handscrew counterclockwise to remove the twist.

Removing twist by twisting the back in the opposite direction of the twist.

Removing twist by twisting the back in the opposite direction of the twist.

Checking again for twist. This looks done.

Checking again for twist. This looks done.

Check from other side as well, as it is often easier to see from one side than the other.

Check from other side as well, as it is often easier to see from one side than the other.

 

After removing the twist, check again for bowing just under the back. The back is often bent slightly while twisting it, and may require straightening again. After straightening the back, check again for twist along the toothline. Much hilarity will ensue as you become frustrated with the near-infinite loop you have entered. To improve your mood, either hurl the assembly out of the nearest window (do open it first), or set it down and come back to it later. I promise that you will eventually solve it. [Which do you do? And why is it so drafty in here?-Ed.]

When the blade is fully flattened, I throw the handle on the saw, sit down, and take a break. Most of the hard work is done, and little is left to go wrong. For now, I am content to hold the saw and know that it is just a few teeth and bolts away from being a full-fledged saw.

Posted in Saw making | 5 Comments

The good apple

As if to prove that a bad apple does not always spoil the rest, today I finished the saw below. Where the bad apple was full of contrasts and surprises, this one is subtle and dignified.

 

 

Twelve inch carcase saw with apple handle, bronze spine with lamb’s tongue end, and inlaid bolts.

 

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